A great broadcast recording in very good sound.
SHOSTAKOVICH
Symphony No. 4
Czech Philharmonc Orchestra
Karel Ančerl
Live - Smetana Hall, Prague, 13 May 1962
(Prague Spring Festival, 12 May / 04 Jun 1962)
FLAC
A great broadcast recording in very good sound.
SHOSTAKOVICH
Symphony No. 4
Czech Philharmonc Orchestra
Karel Ančerl
Live - Smetana Hall, Prague, 13 May 1962
(Prague Spring Festival, 12 May / 04 Jun 1962)
FLAC
Here another long time out of print CD in a new rip. The mid-price "Virtuoso" label didn't have a long life, but in the late 1980s recovered several interesting unreleased historical recordings, even if more or less everything later reappeared in other reissues. These, in particular, are available also on two different Medici Masters CDs. Anyway, the source is enough good. As you'll see from the scans, it was the period when the durations of the tracks were sometimes not reported. This thing annoyed me a lot and I took care to mark them (ruining the booklets in a completely unnecessary way).
STRAUSS
Also Sprach Zarathustra
(September 7, 1959)
MENDELSSOHN
Symphony no. 3 "Scottish"
(October 24, 1960 - misdated on the booklet)
Kölner Rundfunk-Sinfonie-Orchester
DIMITRI MITROPOULOS
FLAC & Complete Scans
Another superb Munch CD "brought to safety". As in the previous case, new rip with full scans.
But in THIS case, since it's a much less popular repertoire (and for which there are not so many recordings of high artistic level), it is of course an even more precious document. Very nice and vivid sound for live material of the period.
ROUSSEL
Symphony No. 3
Symphony No. 4
Bacchus et Ariane, Suite no. 2
CHARLES MUNCH, conductor
Live Recordings
N.3 Edinburgh Festival, August 19, 1964.
N'4 19th Festival international de musique, Besançon, France, September 13, 1966.
Bacchus recorded at Théâtre des Champs Elysées, November 22, 1966.
FLAC & Complete scans
I don't think I've seen this wonderful CD around, at least not recently: so I propose it to you a new rip, complete with scans. Like other French Munch live recordings of this period, it has a very special nervousness and electricity, which are particularly suitable for this repertoire.
Fortunately, everything is well picked up by a sound quality that is up to the situation.
BERLIOZ
Symphonie Fantastique (Live june 23, 1963)
Le Corsaire, ov (Live september 25, 1967)
Benvenuto Cellini, ov (Live september 13, 1966)
CHARLES MUNCH
FLAC & Complete Scans
Well, three posts to make up for an inactive December. Best wishes to everyone for a beautiful new year!
According to the BBC Proms Chronology, Stokowski conducted 5 concerts in all on these dates:
23 and 30 july 1963, 15 and 17 september 1964, 10 september 1966. The largest and most detailed online discography of the maestro confirms the informations provided on the booklet, so I don't know what to add. Although this other concert took place at the RAH, it was not supposed to be part of the Proms... although the date (August 1973) suggests otherwise. I've not found any "definitive" news on the matter. Even the name of the orchestra sounds quite mysterious to me... but in the end, from the Philadelphians to a Conservatory orchestra, from the Houston Symphony to the Czech Philharmonic, after a couple of rehearsals they all became a Stokowski Symphony Orchestra.
What really matters, anyway, is that it is an involved performance of the Fifth, enriched by a large excerpt of rehearsals.
TCHAIKOVSKY
Symphony no. 5
Performance + 35 min rehearsals
International Festival Orchestra
LEOPOLD STOKOWSKI
Live - August 1973
FLAC & scans
A truly historic document, as always when an important composer - whatever his strengths and limitations as a conductor - presents his own music from the podium. However, we are talking about a good overall result: also noteworthy is the presence of another composer, Maurice Duruflé - best known for his Requiem - who sits at the organ.
The role of narrator is entrusted to the actor Jean Hervé, who in his youth played for the French national rugby team, also winning the gold medal at the 1900 Paris Olympics; very curious because, as you know, Honegger was the author of an orchestral piece entitled "Rugby" (the Symphonic Movement n. 2).
HONEGGER
Le Roi David, psaume symphonique en 3 parties
d'après le drame de René Morax, H 37B (1921)
Janine Micheau, soprano
Jeannine Collard, mezzo-soprano
Pierre Mollet, baritone
Jean Hervé, speaker
Maurice Duruflé, organ
Chorale Elisabeth Brasseur
Orchestre National de la Radiodiffusion Française
ARTHUR HONEGGER, conductor
Studio recording - Paris (Eglise Saint-Roch), october 1951
[2 LP Ducretet Thomson LPG 8342/3]
FLAC
Despite the extensive work on Mahler by Ozawa, from the Philips cycle in Boston plus the First Symphony with Blumine (DG) to the most recent CDs with the Saito Kinen, we don't have an "official" recording of Des Knaben Wunderhorn. A fact that, of course, increases the value of this document, also considering the caliber of the two soloists.
MAHLER
Des Knaben Wunderhorn
01 Revelge
02 Rheinlegendchen
03 Verlor'ne Müh
04 Lob des hohen Verstandes
05 Des Antonius von Padua Fischpredigt
06 Trost im Unglück
07 Wer hat dies Liedlein erdacht?
08 Das irdische Leben
09 Lied des Verfolgten im Turm
10 Wo die schönen Trompeten blasen
11 Der Schildwache Nachtlied
12 Der Tamboursg'sell
Brigitte Fassbaender
Thomas Allen
Boston Symphony Orchestra
Seiji Ozawa
23 IV 1988
FLAC
Well, this is really something! Conductor and soloist are at their best and the sound recording is quite vivid. One of the best - if not the best - Szell concert with the NYPO I've heard so far. Although I personally love more relaxed, rich in chiaroscuro (like Giulini & Concertgebouw on Sony) or "idiomatic" versions of the Seventh Symphony (Kubelik, Neumann and so on), Szell's imperiousness and fire are enthralling, also because the intensity of singing is certainly not sacrificed to rhythmic impetus.
In addition to the presence of Rostropovich, it is difficult to imagine a more qualified conductor for the Concerto, considering the very long attendance with this page also documented by the historic recording with Casals and the Czech Philharmonic (1937) and of course with Fournier and the Berliner Philarmoniker in 1962, both splendid and indispensable.
Antonín Dvořák
Carnival Overture, Op. 92
Symphony No. 7 in D Minor, Op. 70
Cello Concerto in B Minor, Op. 104
MSTISLAV ROSTROPOVICH, cello
New York Philharmonic
GEORGE SZELL
New York - November 20, 1965
FLAC
Note: There is a new working mediafire link for the Mahler 2 Bernstein/Cleveland 1970 (posted in the comments section).
Pierre Fournier also performed the World Premiere of Frank Martin's Concerto in Basel on January 26, 1967. Here is the American premiere, a few months later. With variable sound quality the Concerto and the Don Quixote can be found around (I don't know if it's the same for the two Mozart Marches), anyway here you can listen for the complete program and the source is very good. Final announcement included.
MOZART
Two Marches KV. 335 n.1 & KV. 408 n.3
FRANK MARTIN
Cello Concerto
(First American Performance)
STRAUSS
Don Quixote
Pierre Fournier (cello)
Abraham Skernick (viola)
Cleveland Orchestra
GEORGE SZELL
Live - Cleveland, Severance Hall
October 25, 1967
FLAC
DEBUSSY
Trois Nocturnes (May 1938)
La Damoiselle élue (Nov. 1934)
2 Danses (March 1929)
La Mer (Oct. 1932)
Prélude à l'après-midi d'un Faune (Jan. 1930)
Iberia (March 1935)
Rhapsodie pour clarinette (Feb. 1931)
Rhapsodie pour saxophone (March 1929)
Le Martyre de St-Sebastien (Nov. 1931)
Printemps (Oct. 1935)
Petite Suite (Jan. 1930)
Deux Arabesques (Sept. 1924)
Tarantelle Styrienne (April 1932)
L'Isle joyeuse (Sept. 1929)
La Soirée dans Grenade (March 1935)
Cloches à travers les feuilles (March 1935)
Children's Corner (Oct. 1934)
Ballades de François Villon (Nov. 1931)
Orchestre du Gramophone
Orchestre des Concerts Pasdeloup
Orchestre de la Société des Concerts du Conservatoire
PIERO COPPOLA
3 CD - Flac & Scans
Two documents that testify the high level of this orchestra in the 50s: after all, they usually worked with Walter, Furtwängler, Karajan, Barbirolli, Celibidache etcetera... and of course Rodzinski himself. The sound quality is more than good for the period and it's remarkable that Alexander Nevsky is sung in Russian (a few years earlier even the German Requiem had been performed by Walter in Italian!); the reading of the Fifth is perhaps more discontinuous but still remarkable, with beautiful moments and an exciting Finale.
PROKOFIEV
Alexander Nevsky, Op. 78
Irene Companeez, alto
Orchestra Sinfonica e Coro di Roma della RAI
ARTUR RODZINSKI
May 22, 1958
Symphony No. 5
Orchestra Sinfonica di Roma della Rai
ARTUR RODZINSKI
May 11, 1957
FLAC
LISZT
Les Préludes
RIMSKI-KORSAKOV
Shéhérazade, Symphonic Suite op. 35
STRAVINSKY
L'Oiseau de feu, suite
Berliner Philharmoniker
OSKAR FRIED
Polydor studio recordings 1928
FLAC + Scans with details
Here we are again! And here's something interesting, in really good sound. In addition, the first mov. performed during the Geneva Competition in 1958, when Pollini (16 year old) won the second prize.
BRAHMS
Piano Concerto no. 2
Maurizio Pollini, pf
Philadelphia Orchestra
Eugene Ormandy
Philadelphia, October 1971 *
Piano Concerto no. 2 (I. Mov)
Maurizio Pollini, pf
Orchestre de la Suisse Romande
Edmond Appia
Genève, 1958
* The Philadelphia Orchestra chronology gives the following dates: 22, 23 & 25 October 1971
FLAC separated + cover/back
An interesting Mravinsky rarity: mainly because we can listen here some of his early recordings (not much remains of him until the mid-50s) and above all because he's not on the podium, as usual, of the Leningrad Philharmonic.
WEBER
Oberon, Overture
Invitation to the Dance, op. 65
Der Freischütz, Overture
BRAHMS
Symphony no. 4
USSR Symphony Orchestra
EVGENI MRAVINSKY
Great Hall of the Moscow Conservatory - December 29, 1954
FLAC + complete scans
Another rare Ancerl live. A delightful Beethoven 6, in search of simplicity rather than the timbral ecstasy (in opposite ways) of Karajan and Celibidache, or Scherchen's analysis, or the "cosmic" solemnity of Bernstein, Giulini, Furtwängler, Klemperer... And it really works, perhaps because of the "Bohemian sweetness" of the conductor. It just flows so naturally... Wow.
I don't particularly like Martinu's 5 (maybe you could suggest a very "catching" version), but even here Ancerl is excellent. Really good stereo sound, by the way.
FLAC & Complete scans with details
Well, these two audio documents are full of questions that I turn to you, if you have any opinions or if you know anything about it.
It is quite well known that Pollini was a rather shy man and apart from Abbado, Böhm (his favorite conductors: I know he also appreciated Jochum very much), followed by Boulez, Muti and a few others, he never established large and continuous collaborations... Perhaps some of you have news about the meeting with Karajan. Very interesting document, anyway: it is a nervous and sensitive reading by Pollini (particularly in the Finale) that I have not always found in his other live/studio recordings of the Concerto.
There are also doubts about the authenticity of this Beethoven 4 by Michelangeli... Perhaps someone better informed can clarify.
SCHUMANN
Piano Concerto in A Minor, Op. 54
Maurizio Pollini, pf
Wiener Philharmoniker
Herbert von Karajan
Salzburg, 15 August 1974
BEETHOVEN
Piano Concerto N. 4, Op. 58
(Arturo Benedetti Michelangeli, pf - wrong attribution)
MARIA TIPO, pf
Belgrade Philharmonic Orchestra
Zivojin Zdravkovic
Belgrade, 7 October 1973
FLAC + Scans
I fished out this CD bought several years ago, I don't remember where (maybe in a used record store?) I take the opportunity to "save" it by making a digital copy and here it is!
A group of little-known recordings by Mitropoulos, in good sound for the period.
The most interesting are the Spanish Rhapsody (with Egon Petri) and the Bach-Casella Ciaccona from the Partita II. The "Orchestra of Radio Italiana" is the Orchestra Sinfonica di Torino della RAI (2 June 1950)
Complete booklet with details included.
FLAC
The previous post dedicated to Enescu was very well received, so I'll add this.
A very rare OOP CD.
Enescu - Complete Columbia Recordings (EMI/Shellman, Japan, 1995)
FLAC - Scans, tracklist & infos included
A long time OOP CD which contains a 1952 concert
(with extremely good sound for the period).
Kna's severe and "massive" style is perfectly recognizable even on the podium of an orchestra that is certainly not among the most famous; indeed, these are more energetic and "focused" interpretations than many others left by the german conductor. So I would recommend the listening even if this repertoire offers hundreds (if not thousands, by now) of alternatives: in particular for the powerful overhang given to the Passacaglia that closes Brahms' Fourth.
Beethoven 2 and Brahms 4
Philharmonisches Staatsorchester Bremen
HANS KNAPPERTSBUSCH
Live - 12 XII 1952 - Grosser Glockensaal
FLAC
The studio recording of the Second with Giulini on the podium
of the Wiener Symphoniker is generally considered one of the best in the catalogue:
very interesting, therefore, also listening to a live version in good sound like this one.
Bruckner Symphony no. 2
Boston Symphony Orchestra
CARLO MARIA GIULINI
Live recording - Boston, 29 march 1974
FLAC
Bach - Magnificat & Brandenburg Concerto no. 5
Wagner - Lohengrin Preludes I-III, Meistersinger Preludes I-III
Budapest Symphony Orchestra
Hungarian State Opera Orchestra
OTTO KLEMPERER
Budapest 1948-50
FLAC + Complete scans & Details
A little late (but the last few weeks have been very busy),
a small tribute on the tenth anniversary of his death (20 January 2014).
CD Hunt, of course OOP.
MAHLER
Symphony no. 6
Wiener Symphoniker
CLAUDIO ABBADO
Live - Wien. May 24, 1967
FLAC (separated tracks) + complete scans
PROKOFIEV
Scythian Suite
BARTOK
Music for strings, percussion and celesta
Moscow Philharmonic
KIRILL KONDRASHIN
Melodiya, 1974
FLAC and scans
Among Matacić's many Brucknerian documents, I propose one of my favorites.
A recording that did not have a great circulation,
but a profoundly honest and thoughtful approach to Bruckner's symphonic last word.
Anton Bruckner - Symphony No.9
WIENER SYMPHONIKER
Lovro von Matačić
Recorded: 12 & 13 march 1983. - TT: 59'34''.
FLAC with Scans
Two live recordings (1940) released several times,
but I don't think currently available on CD.
This is the 1997 Da Capo transfer.
RACHMANINOFF
Piano Concertos 2&3
Walter Gieseking
Concertgebouworkest Amsterdam
WILLEM MENGELBERG
Live October 31, 1940 (no. 2) and March 28, 1940 (no. 3)
FLAC
Here you can find a remarkable Bruckner Fourth captured during the big CSO Europe Tour in 1981. As always is matter of taste: anyway, if you like Solti's style here you will find rush, compactness and energy but also breathing space, without that almost "brutal" and dismissive tone of some of his later Brucknerian recordings (impression I also had listening to him live in the Fourth and Eighth in the early 90s).
Bruckner
Symphony no. 4
Chicago Symphony Orchestra
SIR GEORG SOLTI
Live, 30 august 1981
Salzburg, Großes Festspielhaus
FLAC - 4 separated tracks
Another rare OOP Koussevitzky CD with an all-american program.
The narrator in "A Lincoln Portrait" is Melvyn Douglas (1901-1981).
works by Aaron Copland, Randall Thompson and John Philip Sousa
Boston Symphony Orchestra
SERGE KOUSSEVITZKY
FLAC
You may have already heard this Schwarzkopf-Szell 1968 Fourth live. Anyway, here you can also find the first part of that concert: surely no less interesting, speaking of one of Haydn's greatest interpreters and an equally renowned Straussian singer.
HAYDN - Symphony no. 93
STRAUSS - 4 Orchesterlieder
(Ruhe, meine Seele - Meinem Kinde - Morgen - Wiegenlied)
MAHLER - Symphony no. 4
Elisabeth Schwarzkopf, soprano
The Cleveland Orchestra
GEORGE SZELL
July 26, 1968 - Blossom Festival
FLAC (6 files)