Not everyone shows appreciation for Maderna's work as a Mahlerian conductor:
and certainly here, who expect that everything written by the composer
must be 100% respected, will find many questionable solutions.
But in some passages I don't find comparisons with anyone else
(apart from Scherchen, perhaps)
and they really leave you breathless.
(one for all - II mov, 6:48 - 7:15)
Judge yourself, of course,
but it's certain that this completely anti-routine reading
can't leave you indifferent.
As always, your comments and opinions are welcome.
MAHLER
Symphony no. 5
Philadelphia Orchestra
BRUNO MADERNA
Live in Philadelphia - november 4, 1971
FLAC - separated tracks